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Trailers hold attention while the story is still unfolding and lose it the moment the audience has worked it out

CommunicationMedia and entertainment, streamingImplicit measures

A streaming platform tests its trailers and teasers with us before launch: series, films and originals across several rounds.

Premium subscribers watch each cut twice while EEG, eye tracking and facial emotion record second by second; a reaction-time test adds implicit liking and intent, beside the stated appeal.

The pattern across rounds is consistent: cuts that set up the story hold attention, and cuts that rely on fast unrelated shots or long solo close-ups lose it, however well they score on stated appeal. Each round ends with specific edits, and the platform's own norm bank grows with every test.

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The question
How well do our trailers and teasers engage the target audience, and what should change before launch?
Approach
TriE central location tests with premium subscribers: EEG, eye tracking and facial emotion across two viewings, plus reaction-time liking and intent
Where
Two metros, India, 2019 to 2020

De-identified. Names, places and distinguishing details are generalised.

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